Writing to order.

‘Write a story,’ my mentor said. ‘Today.’

I took a deep breath and picked up my pen.  ‘Any suggestions?’

Mentor gave me one of those old-fashioned quizzical looks.

I said, ‘You’re thinking about that ‘finish the story’ flash competition I saw yesterday.’

‘Exactly.  Only 400 words.  It’s time you put all that wise advice you dish out into practice.  This has to be a perfect story-trigger: a ready made character with a situation to be resolved.’

‘Don’t call me hypocrite,’ I muttered, as I pulled the magazine out of the reading pile, and studied the 400 words already written.  It had a good hook, and finished on a cliff-hanger that implied a variety of possible outcomes.

Where do I start?  With setting I think.

A man visits a woman in a nursing home.  Her son’s been missing 48 years, and this man speaks as if he knows something about it.

Well, if the story is present day, the back-story is 1969.

How old are they both, these characters?  Initially, she mistakes him for her son, so I need to play around with some numbers, fix his age, then add on at least sixteen years for hers.

She’s alone.  Was she a single parent?  What’s happened to the boy’s father?

Each answer raises another question.  It’s like being given a jigsaw puzzle without a picture for guidance.  I match up pieces, and try to guess what the colours mean.  There’s a lot of gold, maybe a sunset?  But what about the jewel-bright flowers, perhaps it’s an impressionist corn field.

Working up from the bottom straight edge, I need to put a lot of it together before I reach an ivory ankle.  That’s what happens when you keep adding pieces, the picture begins to make sense, and once that happens… I’m flying.

The_Kiss_-_Gustav_Klimt_-_Google_Cultural_Institute

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