#6Degrees – Where the Wild Things Are.

This week I can’t resist taking up the 6 degrees of separation challenge, over at Booksaremyfavouriteandbest, where Kate has set Maurice Sendak’s 1963 children’s story as the starting point for creating a chain of 6 books. I’ve deviated somewhat from the brief. As the next thing that came to mind was a short story, I decided to make the whole of my chain from short, or shortish, fiction.

So, to start with Kate’s choice…

Where The Wild Things Are was not in our school library. If it had been, I’m sure I’d have read it. I stumbled across the opera-version one evening as I was browsing our (then) four or five tv channels – yes, that long ago.

Claire Booth as Max. Photo by Mark Berry

I’d been dabbling with opera for a time, and found plenty to interest and intrigue me, but this one stood out, even on a small screen in the family sitting room.

Since I’ve mentioned opera my next link has to be Angela Carter’s, Puss-in-Boots. It’s a monologue, by a cat called Figaro – yes, drawn in-part, from the Mozart opera.

If you’ve never read anything by Carter before this is a good starting place. It’s a comic, bawdy, naughty, quick-read that was turned into a BBC radio drama.

Puss, a posturing ginger tom, boasts of his ‘fine, musical voice‘.

All the windows in the square fly open when I break into impromptu song at the spectacle of the moon above Bergamo.  If the poor players in the square, the sullen rout of ragged trash that haunts the provinces, are rewarded with a hail of pennies when they set up their makeshift stage and start their raucous choruses, then how much more liberally do the citizens deluge me with pails of the freshest water, vegetables hardly spoiled and, occasionally, slippers, shoes and boots.

Well, that explains the boots.

Unappreciated musicality has to take me to Tania Hershman’s flash-fiction, Mother was an Upright Piano.

My Mother was an upright piano, spine erect, lid tightly closed, unplayable except by the maestro.  My father was not the maestro.  My father was the piano tuner: technically expert, he never made her sing.  It was someone else’s husband who turned her into a baby Grand.

This 400 word flash lead me to William Trevor’s, The Piano Tuner’s Wives. When Owen, the widowed, elderly, blind, piano tuner remarries, he chooses Belle, the woman he rejected as a young man.

Too late Belle realized that Violet had been the blind man’s vision; Violet had left her no room to breathe. One day, when Owen was describing a room as Violet had described it to him, Belle lied and said that it was quite different now. She did the same thing when he mentioned a female acquaintance or a neighborhood animal. Belle became more confident in wiping out Violet’s presence. Owen understood her feelings and allowed her her claims. He had given himself to two women; he hadn’t withdrawn himself from the first, and he didn’t from the second.

Blindness, and its effects, literal and metaphorical, are also explored in V.S. Pritchett’s 1968 story about a barrister, Mr Armitage, and Helen Johnson, his secretary-housekeeper, Blind Love.

 At their first interview ― he met her in the paneled hall: “You do realize, don’t you, that I am totally blind. I have been blind for more than twenty years,” he said. 

“Yes,” she said. “I was told by Dr. James.” She had been working for a doctor in London.

He held out his hand and she did not take it at once. It was not her habit to shake hands with people; now, as always, when she gave in she turned her head away. He held her hand for a long time and she knew he was feeling the bones. She had heard that the blind do this, and she took a breath as if to prevent her bones or her skin passing any knowledge of herself to him. But she could feel her dry hand coming to life and she drew it away. She was surprised that, at the touch, her nervousness had gone.

As the story opens, Helen has been his secretary and housekeeper for some years. But, the cool, professional, relationship they have maintained is about to shift. Suppressed secrets and emotions are stirring.

The Venus of Willendorf

In Hari Kunzru’s 2007 short story, Magda Mandela, Magda wakes her neighbours at 4.30 am, by shouting out the list of her accomplishments. Half naked, and smeared with oil, her emotions are raging and it seems that nothing is secret.

And all along the street we come to our windows to twitch the net curtains and face the awe-inspiring truth that is Magda in her lime-green thong. She’s standing on the top step, the lights of the house blazing behind her, a terrifying mash-up of the Venus of Willendorf and a Victoria’s Secret catalogue, making gestures with a beer can at the little knot of emergency-service personnel gathered on the pavement below.

One of the younger and less experienced constables has obviously asked her to accompany him to a place where, as an agent of the state, he will feel less exposed. A police station, perhaps. Or a hospital. Anywhere that will tip the odds a little in his favor. Magda has met this suggestion with the scorn it deserves. She knows that she outnumbers these fools. YOU KNOW ME, she says. Then, with a sinister leer, AND I KNOW YOU.

Can we ever know ourselves, let alone know someone else? That’s a big question, beautifully dealt with in David Almond’s 2007 story, Slog’s Dad. Slog’s dad is Joe, a binman, ‘a daft and canny soul‘ who develops a black spot on his toe. His leg has to be amputated. He seems to adapt to this, and so does his young son, Slog, but then a spot develops on his other toe.

Just a week later, the garden was empty. We saw Doctor Molly going in, then Father O’Mahoney, and just as dusk was coming on, Mr Blenkinsop, the undertaker.

The week after the funeral, I was heading out of the estate for school with Slog, and he told me, “Dad said he’s coming back.”

“Slogger, man,” I said.

“His last words to me. Watch for me in the spring, he said.”

“Slogger, man. It’s just cos he was…”

“What?”

I gritted my teeth.

“Dying, man!”

I didn’t mean to yell at him, but the traffic was thundering past us on the bypass. I got hold of his arm and we stopped.

“Bliddy dying,” I said more softly.

“Me Mam says that and all,” said Slog. “She says we’ll have to wait. But I cannot wait till I’m in Heaven, Davie. I want to see him here one more time.”

It’s another big, big, story, with a bit of everything that matters. Love and faith are pitted against a rational narrator with an armoury of common-sense. The story is subtle, simple and yet endlessly complicated and beautifully concise. Details that can be said to lead all in the same direction, are, in retrospect, also suggesting other possibilities.

28 thoughts on “#6Degrees – Where the Wild Things Are.

    • It’s such a fun version of a story I’ve always loved. Glad you enjoyed it, Jina, and the Tania Hershman flash has an amazing amount of information in such a short space.

      Liked by 1 person

      • There was a story in my portuguese literature class when I was in elementary with a cat that had made a boot it’s house. I remember the picture of a window cut on the side of the boot and the head of the cat peaking through. I can’t remember the story, but that’s what I remembered when I read your version here.

        Liked by 1 person

  1. What an eclectic collection, Cath. I once read “The Man Who Thought His Wife Was a Hat” which might be similar to these but was nonfiction. There’s just too much good stuff out there, isn’t there?

    Liked by 1 person

    • I know, I can’t think what this suggests about the state of my mind, Jacqui… I read The Man Who Thought His Wife was a Hat, too, a long time ago. I have hazy memories of the content being full of intriguing characters. I must look out for it again.

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  2. Cath, I’ve read this through several times now: so original and packed with stories I want to read. All duly noted and hopefully to form part of a short story immersion that I’d like to try next year. A brilliant chain; I hope you produce another for August!

    Liked by 1 person

  3. I’m so glad you’ve found it intriguing, Sandra. I’ll be interested to see if they work for you, too.
    I’ve not looked at the trigger for the August chain, yet, must wander over and take a peek.

    Liked by 1 person

  4. Fascinating to follow the path you take – the connections all work well, though I’m not familiar with most of the books. One thing: as to your extracts, I assume you aren’t typing them yourself. May I ask how you get them?

    Liked by 1 person

    • Thanks, Dave.

      They’re all on my bookshelves, but you’re right, I didn’t type all of the extracts. Several of these stories – or at least segments of them – are available on the internet, and luckily the segments were appropriate for the links I’d seen. So far as I remember, the only one I had to type was the Tania Hershman piece, the rest I was able to copy and paste.

      Liked by 1 person

      • Cheers for the info, Cath! Amazing how the internet increases our personal range, isn’t it? I think the creative and reconstructive potential is huge – hard to believe we can’t use it for our collective benefit! Then again …

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        • I suppose the internet is constantly evolving, and we have to go through a development process before we find the best way to make it work for us – maybe that’s too much like a Terminator slant…

          Speaking as a reformed Luddite, and an armchair-traveller, I love that it puts me in contact with people I’d probably never have had chance to chat with in any other way. 🙂

          Liked by 1 person

          • Your self-description could almost be me! As to the Terminator/dystopian idea, I wonder if there’ll need to be a way of distinguishing people posting in their own name from those who adopt weird aliases – perhaps the latter could be given a special chatroom to cavort around in!

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          • Well, you and I put our real names to everything we say online, with at least a theoretical chance of being held liable for anything slanderous, libellous, threatening, etc. It is, after all, a public space and one that exists for all time. As such, it should be policed and regulated in the interests of all. A higher bar is required, methinks. Whether all of that’s possible is another question …

            Liked by 1 person

  5. Pingback: Six degrees of Separation – The Wild Card – leads me to book four of my 10 books of summer. | Cath Humphris

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